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REAL WEDDINGS / CANADA / ISSUE 36
“What makes our journey so meaningful is how our love came full circle.”
photographed by Isabella Villani Photography
Erica wore a Jenny Yoo gown with a clean, fitted silhouette— kept deliberately simple, paired only with diamond studs and a sleek bun so the dress did the talking. Later in the evening, she removed her veil and added a neck scarf to the gown. Anthony wore a custom Canali tuxedo with satin peak lapels.
Erica and Anthony Di Santo’s love story begins in 2009, at a house party during their high school years — she was in grade 11, he was in grade 12. They started dating soon after and stayed together for seven years, eventually splitting not over any single issue but a mutual need to figure out life on their own terms. They lost touch completely. It wasn’t until 2023 that they reconnected, picking up a story that, as it turned out, wasn’t finished.
Anthony had never been a pet person — until he met Pablo, Erica’s dog and, by her account, a package deal. He came around quickly, and by the time he proposed, he’d become as devoted to Pablo as Erica is. Fittingly, Pablo was there for it: Anthony proposed during a walk in the park, with no fanfare and no audience, exactly as Erica had asked. That evening, he’d arranged a catered dinner with both families. The next day, he flew her to Montreal for the weekend.
The couple were married on October 10, 2025, at Arlington Estate in Vaughan, Ontario. The couple built their wedding around a single instruction to themselves: make it timeless. The reference point was an old-money, vintage sensibility — something closer to Ralph Lauren than to bridal trend cycles — chosen so the day would still hold up decades from now rather than read as a moment in a trend cycle. It’s a design logic that tracked the couple’s own story: a return to each other made with the same clarity and intention they wanted the day itself to reflect.
Wild Theory Floral and Event Design handled the florals and overall decor design, shaping a room that read closer to a refined restaurant interior than a conventional ballroom — a sophisticated, moody dinner-party atmosphere built on restraint: a controlled palette, straight lines, and a level of precision the couple describes literally, with a leveler used on-site to keep every line true. Two elements did the most work in setting that tone: a set of sculptural table lamps, sourced with difficulty but central to the moody, dinner-party feel the couple wanted, and a hand-finished floor treatment — a worn, cracked marble checkerboard pattern designed to look original to the room rather than applied to it. Both were built around the same idea driving the rest of the design: nothing polished to the point of feeling artificial.
I really wanted to create a timeless, classic design — something I could look back on in twenty years and still love just as much.
Erica, Bride
Rather than hire a professional MC, Erica and Anthony asked two of their closest friends to run the room — a choice that let the night stay personal, with the kind of humor and ease that comes from people who actually know the couple and their families.
A live band anchored the reception in place of the DJ set that’s typical at their family weddings, and the shift registered immediately: guests were on their feet most of the night, and by the later hours, several had joined the band on stage. After Erica’s 10 p.m. dress change, dinner-party restraint gave way to a party that, by the couple’s account, no one wanted to end.
Every professional who shaped this story, listed by role.