REAL WEDDINGS
An Andaman Garden Wedding at Renaissance Phuket
At Renaissance Phuket, a garden of white and soft yellow flowers framed a seaside gathering that brought Christine and Shaun’s families together for the first time.
Event Planning and Design
ME Events
At Renaissance Phuket, a garden of white and soft yellow flowers framed a seaside gathering that brought Christine and Shaun’s families together for the first time.
Christine is Korean, Shaun is Indian, and they met while living in Australia. Their relationship grew through a shared sense of adventure, respect for each other’s backgrounds, and the connection they formed there. Their wedding gathered relatives and friends from around the world in Phuket, where the occasion became the first meeting between their two families. That fact gave the day a clear purpose beyond its setting and design. The couple wanted an intimate, relaxed celebration in which the people closest to them could spend time together, exchange vows beside the Andaman Sea, and continue into dinner and dancing.
Renaissance Phuket Resort & Spa sits on Mai Khao Beach, a coastal setting the hotel identifies with views of the Andaman Sea. Rather than obscure that horizon, the wedding kept the water visible behind the vows and allowed the landscape to shape the palette. WedLuxe member ME Events Phuket planned and designed a garden in white, soft yellow, and fresh green, using flowers at varied heights to suggest natural growth. The result moved from an open daytime setting into an evening of drapery, chandeliers, candles, and warm fairy lights.
Corston Couture in the Garden
Christine wore a gown by Corston Couture, a Sydney bridal designer, paired with a veil by Madame Tulle and fine jewelry by Chaumet. Shaun’s formalwear was made by DI Tailor. The gown, veil, and formalwear were presented against the wedding’s restrained palette of white, soft yellow, and green, with the sea held open behind the couple. Fashion remained part of the visual progression without overtaking the garden that framed the day.
White and Yellow Against the Andaman
The floral concept began with a romantic garden growing beside the sea. White and soft yellow flowers, mixed with fresh greenery, lined the aisle in abundant arrangements set at different heights. More flowers surrounded the couple, creating an immersive garden setting without blocking the ocean behind them. The compositions avoided a rigid wall of flowers, leaving the water visible as part of the view. Guests approached the space beneath the trees, where a sheer fabric welcome sign embroidered with Christine and Shaun’s names introduced the same light, textural quality.
Christine entered to “She” by Elvis Costello, moving through the garden-style aisle toward the water. The song was one of the few personal details identified by the couple’s creative team, and it gave the entrance a distinct musical frame. Family and friends then watched Christine and Shaun exchange vows overlooking the Andaman Sea. For two families meeting for the first time, the gathering placed everyone in one shared setting from the opening moments of the day.
Embroidered Fabric and Sculptural Place Settings
Textile details continued beyond the embroidered welcome sign. The seating chart combined layers of draped fabric with sculptural, ceramic-inspired textures, floral elements, and candlelight, turning a practical guide into a freestanding installation. Its materials echoed the movement and softness established at the entrance. The design carried the garden concept inward without repeating the aisle in literal form.
At dinner, each guest’s name was placed beside a calla lily. Soft fabric accents added another tactile note, while candles finished with delicate ribbon bows repeated the detail at a smaller scale. The tables therefore moved from the sculptural forms of the seating chart to individual gestures at every place setting. Together, fabric, flowers, candlelight, and handwritten names gave the reception a consistent visual thread.
From Garden Light to Chandeliers
As daylight faded, flowing white drapery reshaped the outdoor dinner space. Chandeliers, candles, and layers of warm fairy lights illuminated the tables while the garden remained present around them. Candlelight also appeared within the seating-chart installation and across the tables, connecting the guest arrival details to dinner. The palette did not change for the evening; instead, light and fabric deepened the same white, yellow, and green composition. Dinner, conversation, and dancing followed beneath the suspended lights, extending the relaxed atmosphere the couple had requested.
Rain and a Full Dance Floor
Rain arrived just as the party began, forcing the celebration to move indoors as ME Events Phuket adapted the plan. Guests continued laughing and dancing while the team worked behind the scenes to keep the evening moving and the outdoor setup gave way to an interior dance floor. The change replaced the garden setting, but it did not empty the dance floor, which remained full through the transition, or bring the evening to an early close. Instead, the families and friends who had travelled to Phuket stayed together and kept the party in motion. In a wedding built around their first meeting, that response became the final expression of the day’s purpose: the room mattered less than the people gathered inside it.
WedLuxe Glitterati Members
Event Planning and Design
ME Events Phuket
The Team
Every professional who shaped this story, listed by role.
Event Planning and Design
Photographer
Bride’s Gown
Bride’s Veil
Decor
DJ
Fine Jewelry
Shoes
Wedding Cake
Makeup Artist
Furniture Rentals
Floral Design
Formalwear, Groom
DI Tailor
Cinematography
Trailer